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Awards:
Best Costumes
Best Use of Character
Best Use of Prop
Tied Overall Audience Appreciation Award - Group B
23 teams competing -

 
The 48 Hour Film Project



August 2003   Lead Producer/1st unit Director of Photography

conferring on blocking with Mark Mock (Director) on the  new painted Purple Bridge









 
35ft. Cammate jib shot mid morning

 


 



Other World scene - hour 42 -









composing close-up of world coming out of  the belly dancer's navel

  The weekend of August 8- 10th was spent in a production frenzy.  I'd first heard in late June about the 48 hour Film Project (an international film competition) and got excited about the idea of totally creating a short  film in a weekend.

  As the head producer and 1st unit DP I called, cajoled,  sweet-talked, and wheedled friends about the idea and gradually gathered after  blitzes of e-mail & many meetings a combined crew and potential cast of nearly 50 people, with donated equipment and edit facilities ready to go.

  It was a wild ride for everyone. New production  methods were invented: interwoven scenes shot simultan-eously in different parts of the city, story-line driven by locations & pre-selected actors, multiple people handling a single job description....

  It was very gratifying to work in such a collaborative, non-hierarchical context, where everyone's input was considered and with time relentlessly at our backs all that mattered was using the best ideas put forth to make the best film we could in what little time we had. In the end it was finished and delivered with only 15 minutes to spare.
 

  For the big picture click on our Pixel Farmer website. With over 200 pictures and stories it details the challenges of compressing  several months worth of preproduction, shooting and post production into 48 hours...... You can watch the film here.



 

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Gee, Jeffery & Partners - "Festival of the New: without art......"
April 2003
   Director of Photography
 

  35mm series of film spots for Festival of the New. These were used as part of an ad campaign to promote a string of exhibits at the newly completed Contemporary Art Center in Cincinnati.

The challenge was to create an artless stark feel to these ordinary objects. Yet, obviously,  it still needed to have an esthetic to  it.

My favorite in the series was the light bulb. The light had to be nimbly lifted into its "chandelier" position then a metal bar swung by director Scott Fredette explod-ed the still swinging target bulb.

 This took quite a few takes as well as goggles, glass barriers and a quick lighting change.  Laura Robinson, our art director pro-bably had the hardest job in articulating the lamp in one quick graceful movement to the exact height off the table into smashing position.

Also in the series were  a concrete block as Chair, Table and Vase and a potato as Appetizer, Main Course and Dessert.

The spots were both shot and posted at Lightborne.

  FN-moving graphics  FN: end tag
  FN: potato appetizer  FN: potato dessert
  FN: light bulb on seamless  FN: lightbulb and dek lamp super
  FN:light bulb being smashed- exploding  FN: dark set- Mood Lighting super
  FN: block - chair super  FN: block table super
  FN: block - flowers dropping in  FN: block - vase super
 

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MARKSTUCKER.com website


A designer knows he has achieved perfection not when there is nothing left to add, 
but when there is nothing left to take away.

-Antoine de Saint-Exupery